在灵焚的散文诗创作中,我们看到他吸取了哲学的思索,用诗性的语言对生命、对人性、对世界进行观照。通过思考和审美,完成他从“情人”的灵魂漂泊到“女神”的生命寻根,再到灵魂的忏悔、救赎。“情人”与“女神”是灵焚散文诗中的核心意象,表达其思想与内在情感律动的脉搏,也分别代表灵焚的前期与近期两种思索主旨和审美指向。本文选择“情人”、“女神”这两个主体意象,旨在作为切入灵焚散文诗创作的途径,分析揭示他从“情人”到“女神”的情感和思想历程。 In the euphemistic prose poem creation, we can see that he has absorbed the philosophical thinking, and has used the poetic language to view life, humanity, and the world. Through thinking and aesthetics, he finishes his life from “soul” of “lover” to “goddess”, then to soul’s confession and salvation. “Lovers” and “Goddess” are the core images of poetic poems in the spirit burning. They express the pulse of rhythm of thoughts and inner feelings, and they also represent the contemplation of the thoughts and aesthetics of the early and recent spiritual burning. This article chooses “lover ” and “goddess ” as the main body of images, aiming at revealing his feelings and thoughts from “Valentine” to “Goddess” course.