古话说“文无第一、武无第二。”诗人似乎不认这个理。许多人写诗都怀着争当老大的野心。有例可循,屈原是战国的第一诗人,李白是唐代的第一诗人,苏轼是宋代的第一诗人……所谓“江山代有才人出、各领风骚数百年。”做强做大,才可以独领风骚。诗坛不像文坛,更像武林,祭起各自的法宝,打擂过招,说白了是为了逐鹿问鼎。风骚的演变正如朝代的更替。诗人雄心之所在其实也是诗坛活力之所在:都想当主角,不甘于当配角或跑龙套,因而永远有好戏可演, The old saying goes, “No first place, no second place.” The poet does not seem to recognize this principle. Many people write poems with ambitions to fight the boss. There are examples to follow, Qu Yuan was the first poet in the Warring States Period, Li Bai was the first poet in the Tang Dynasty, Su Shi was the first poet in the Song Dynasty ... ... The so-called Bigger and stronger, they can dominate. Poetry is not like the literary world, more like martial arts, offering their own magic, beat the trick, to put it plain to the deer. Coincides with the evolution of the dynasty as a replacement. Where the poet’s ambition is actually the poetic vitality lies: all want to be the protagonist, unwilling to be a supporting role or play a leading role, which will always play well,