二十世纪80年代中期,国门大开,观念活跃,书法创作迎来了难得的发展机遇。当是时,各式展览蠭起,书法活动频繁,至今人们都习惯用“书法热”来描述那个激情燃烧的年代。在这个热潮之中,有人独持边见,有人随波逐流,有人审时度势,有人裹足不前。如今三十年过去,当我们回眸那个年代曾经的弄潮儿时,却不无意外地发现,集体性的退步几乎是那一代人的宿命。说不清楚到底是为声名所累匍匐不前,还是因过度应酬平添了几分酒肉气,总之,能让后生起敬畏之心的书家,难得一见。这段历史并不长,我们记住了他们曾经的意气风发,也目睹他们最终与艺术擦肩而过。尤为令人忧 In the mid-1980s, China opened its door to a vibrant concept of calligraphy and ushered in a rare opportunity for development. When it is, all kinds of exhibitions are held up and calligraphy activities are frequent. So far, people are accustomed to describing the passionate burning age with “calligraphy hotness.” Among the ups and downs, some people stand by alone, others follow the crowd. Some people judge the situation and others stand by. Today, thirty years have passed. When we look back at those beach-goers who were there, we can find that the collective regress is almost the fate of that generation. It is not clear in the end is tired for the reputation of prostration, or over-entertainment added a bit of wine flesh gas, in short, let the aftertaste awesome book writer, rare. This history is not long, we remember the high-spirited they have, but also saw them eventually pass the art. Particularly worrying