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莫言的小说《蛙》通过人物之间不同思想意识的对应,通过狂欢式的戏仿在官方思想与民间意识之间、基本国策与基本人性之间、执法者的理性正义与超生者的悲剧命运之间构建了一个大型对话的平台;又通过人物内心自我意识的矛盾纠结构筑起微型对话的空间;由此形成了一个多元的、众生喧嚣的复调艺术世界。对话与狂欢的水乳交融表现了作品的民间文化基因,而作品对事件、人物及其不同思想意识都没有作出清晰的价值判断,又展现出对话与狂欢的敞开性、未完成性特点,作品因此在艺术上体现了复调小说的特有叙事风格,在思想上达到了历史反思与人性表现的统一。
Mo Yan’s novel “Frog” through the different ideological correspondence between characters through carnival parody between the official thoughts and folk consciousness, the basic state policy and basic human nature, the law enforcement justice and the tragic fate of the surpassers Built a platform for large-scale dialogues; and built up the space for mini-dialogues through the contradictory structure of inner self-awareness of characters; thus forming a polyphonic world of art with diverse and noisy people. Dialogue and spree blend with each other to express the folk cultural genesis of the work. However, the work does not make clear value judgments on events, figures and their different ideologies, but also shows the openness and incompleteness of dialogue and carnival. Therefore, Art embodies the unique narrative style of polyphonic novels, and ideologically achieves the unity of historical reflection and human performance.