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非线性编辑,在今天的影视制作行业中已经不是一个新鲜的名词了。如果说几年前人们还在忙着从各自的角度为它下定义,解释什么是非线性(Non-Lintar),到今天,各厂家的非线性编辑产品已经日益地成熟和完善起来,非线性编辑系统也已被广泛地应用于各级电视台、影视制作公司和电教系统中。自然,在实际应用中,制作人员会面临许多实际问题,有时甚至对于大量经费购置的系统产生怀疑和不满。人们渐渐发现,仅仅知道“压缩比”、“实时处理”、“无限层叠加”等等术语和看到几个厂家提供的技术参数是远远不够的。如何面对和解决这些问题呢?如何更充分地挖掘出非线性编辑系统的潜能,让你身边的系统如虎添冀?笔者结合自己近年来的实际经验,谈谈自己的感受,供各位同仁商榷。
Non-linear editing, in today’s film and television production industry is not a new term. If a few years ago people were still busy defining their own point of view from different angles, to explain what is non-linear (Non-Lintar), to today, the manufacturers of non-linear editing products have matured and improved maturity, non-linear Editing system has also been widely used in television stations at all levels, film and television production companies and audio-visual systems. Naturally, in practical applications, the production staff will face many practical problems, sometimes even doubts and dissatisfaction with the system of large amount of funds purchased. It is gradually discovered that it is not enough to know the terms of “compression ratio”, “real-time processing”, “infinite cascade plus”, etc. and to see the technical parameters provided by several manufacturers. How to face and solve these problems? How to more fully tap the potential of non-linear editing system, so that your side of the system Ti Hu Ji? The author combined his own recent experience, talk about their feelings for your colleagues to discuss .