舞台注意,是斯坦尼斯拉夫斯基表演体系中心理技术十大元素之第四元素,是话剧表演技巧的组成部分。斯氏认为:注意集中应当完全占据整个演员,包括他的思想、才智、意志、感情、记忆和想象。他指出:“演员心理的与精神的全部本性,必须集中在他所表演的那个人物的心灵上正在进行着的事情。”“创造首先是演员全部本性的完全集中”,只有演员的聚精会神,才能“引起观众的聚精会神,这样便使得观众不得不进人舞台上正在发生的事情中去,激发他的注意、他的想象、他的思想过程和他的情绪”。那么,舞台注意在戏曲表演中是否也占有重要位置呢?回答是肯定的。但这里要着重说的是,在戏曲表 Stage Note is the fourth element of the Ten Elements of Psychology in the Stanislavsky Performance System and part of the drama performance technique. Smith thinks: Concentration should concentrate entirely on the entire actor, including his thoughts, talents, will, feelings, memories and imagination. He pointed out: “The full mental and spiritual character of the actor must be concentrated in the spiritual ongoing work of the character he is performing.” “Creation, first and foremost, is the complete concentration of the entire nature of the actor,” and only the perch of the actor can " Aroused the concentration of the audience, so that the audience had to go into what is happening on the stage, to stimulate his attention, his imagination, his thought process and his emotions. So is the stage’s attention also important in theatrical performances? The answer is in the affirmative. But here to emphasize that the table in the opera