模仿文本与被模仿文本之间呈现出互文或超文的关系,前者为文本间的共生关系,后者是文本间的派生关系,其具体运用便是超文性仿作、戏拟与滑稽反串。细读《赫克尔贝里·芬历险记》,可以发现其中存在多处对莎剧的超文性仿作与戏拟,其中包括对《罗密欧与朱丽叶》和《威尼斯商人》情节模式的超文性仿作以及对《理查三世》、《哈姆莱特》与《麦克白》经典片段的超文性戏拟。马克.吐温此举一方面是基于时代背景与读者需求的考虑,另外一方面则与其个人经历有关。 The relationship between the imitation texts and the imitated texts shows intertextual or hypertextuality. The former is the symbiotic relationship between texts and the latter is the derivative relation between texts. Its concrete application is imitation of superficiality, Anti-string. A closer look at the Adventures of Hecker Berry-Finn reveals many of the superficial imitations and dramas of Shakespearean play, including the superficiality of the plot modes of Romeo and Juliet and The Merchant of Venice Literary imitation as well as the supernatural drama of the classic fragments of “Richard III”, “Hamlet” and “Macbeth”. Mark Twain, on the one hand, is based on the background of the times and readers’ needs, on the other hand, it is related to his personal experience.