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京剧青衣行当在一个多世纪的艺术实践中,其唱法建设在不断的发展中取得了丰硕的成果,梅兰芳对青衣唱法的成熟居功至伟,创立的“梅派”唱法引领京剧青衣唱法走向成熟;而张君秋所创立的“张派”在继承“梅派”唱法的同时又根据自身特点加以发展,使京剧青衣的演唱向更为科学、合理这一方向迈出了扎实的一步。本文主要从声乐演唱的技法角度,即呼吸、发声、共鸣、语言等方面论述青衣“张派”对“梅派”的继承与创新。
In more than a century of artistic practice, Peking Opera Tsing Yi’s lineage has achieved fruitful results in its continuous development. Mei Lanfang has achieved a great success in the singing of Tsing Yi. The “Mei School” The “Zhang School” founded by Zhang Junqiu inherited the “Mei School” style of singing and developed according to its own characteristics so that the performance of Tsing Yi’s performance in Beijing Opera would be more scientifically and rationally oriented A solid step. This article mainly expounds the inheritance and innovation of Tsing Yi “Zhangpai ” to “Meipai ” from the aspects of vocal singing techniques, ie breathing, vocalization, resonance and language.