爱尔兰剧作家萨缪尔·贝克特是荒诞派戏剧的重要代表人物之一。他的代表作《等待戈多》把荒诞派戏剧推向了巅峰。本文以伊哈布·哈森的后现代主义不确定特征为主要理论基础,试图从人物、语言和情节三个角度来探究后现代主义荒诞戏剧《等待戈多》中的不确定性,有助于更加深入地理解《等待戈多》的后现代性。 Irish playwright Samuel Beckett is one of the most important representatives of the absurd theater. His masterpiece “Waiting for Godot” to the absurd drama to the pinnacle. In this paper, Ibn Hasson’s postmodernism is characterized by the uncertainty of the main theoretical basis, trying to explore the postmodernist absurd drama “Waiting for Godot” from the perspectives of character, language and plot three perspectives are conducive to More in-depth understanding of the post-modernity of “Waiting for Godot.”