题画诗自唐代形成以来发展极快,至明清已相当盛行。何绍基两千多首诗词中,就有两百多首题画诗,其题画诗相对于杜甫、苏黄等的题画诗,无论从内容上、章法上还是艺术手法上都自有其特色。主要表现为三点:一、“性情论”在题画诗中体现。二、章法布局跳跃多变。三、想象丰富,入乎其内而出乎其外。 Since the formation of the Tang Poems, the poems on the theme of painting have developed rapidly and have been quite popular in the Ming and Qing dynasties. He Shaoji more than two thousand poems, there are more than 200 pieces of the title painting poetry, the title of the painting poems relative to Du Fu, Su Huang and other poems of the title, both in terms of content, chapter law or art practices have their own characteristics . Mainly manifested in three points: First, “personality theory ” in the title poetry. Second, the chapter layout changeable. Third, rich imagination, which is almost the same.