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中国画,顾名思义,其中国属性已在名称中显露无疑。中国的历史背景和文化背景使中国这个名词表现为某些立场上的趣味性——中国人在个人利益方面的排他性在“中国制造”方面转而成为彻头彻尾的排己性。西方资本主义力量和高新科技的涌入,使在文化上自足的中国人受到了醍醐灌顶般的精神冲击,鉴于国人辨别时代风向的能力,也就自然地顺势而行了。那么,若以此来说,中国画的生存价值何在呢?
Chinese painting, as its name implies, has undoubtedly revealed its Chinese attribute in its name. The historical background and cultural background of China make the Chinese term the “interesting” of certain positions - the exclusivity of the Chinese in the individual interest turns to be “exclusive” in the “Made in China” aspect. The influx of western capitalist forces and new and high technology has left the culturally self-sufficient Chinese impressed by the mourning spirit. In view of the ability of the Chinese people to identify the trend of the times, they naturally followed suit. So, if so, what is the value of the survival of Chinese painting?