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“杂碎调”是芗剧的核心唱腔,其诞生在福建闽南,创立者是以歌仔戏剧作家邵江海为首的一批老艺人。在20世纪40年代末与90年代,“杂碎调”两次传入我国台湾地区融入歌仔戏,成为了歌仔戏声腔里与“七字仔调”并驾齐驱的两大唱腔体系,并使歌仔戏的音乐体制从原来的民歌民谣结构增加了包含板腔变化的综合体结构,提升并扩大了歌仔戏声腔的总体表达功能。在我国现存的地方戏曲中,歌仔戏是唯一横跨海峡两岸、扎根在两岸人民生活中的地方戏曲。杂碎调独特的艺术魅力融入歌仔戏声腔,扩展丰富了歌仔戏声腔的戏曲功能,演绎了闽台民间文化合流一段佳话。文章论述了杂碎调的创作经过,并对其艺术特色进行论述。
“Miscellaneous Pieces ” is the core singing of the drama, was born in Fujian Minnan, the founder is a group of old artists led by opera writer Shao Jianghai. In the late 1940s and the ’90s, “Miscellany” was twice introduced into Taiwanese area of Taiwanese opera and became the two major singing systems that kept pace with “Seven-character Aberration” Of the music system from the original folk ballad structure increases the integrated structure containing the board cavity changes to enhance and expand the overall expression of the opera opera sound cavity. Among the existing local operas in our country, Taiwanese opera is the only local opera that runs across the Taiwan Strait and is rooted in the lives of people on both sides of the Taiwan Strait. Mixture of unique artistic charm blend into the opera, the expansion of the opera has expanded the opera features, interpretation of Fujian and Taiwan folk culture confluence of a story. The article elaborates the creation of miscellaneous tunes and discusses the artistic features.