一、问题的提出在雕塑与绘画的艺术创作及理论阐释中有一个经常被提起的与听觉艺术相关联的词汇——音乐性。环顾关于绘画与雕塑的理论与研究,几无例外要涉及到对创作手法与表现方式的考量与推究。雕塑与绘画是姊妹艺术,“音乐性”是二者的共同话题。推究起来,历史上第一个冲破了古典法则的樊篱,把雕塑的“音乐性”推到了一个前所未有高度的雕塑大师是19世纪的雕塑革新大师罗丹。当时有人对罗丹关于雨果雕像的一个设计稿提出异议,认为文学性和音乐性太强。罗丹说道:“倘若雕塑家 I. PROBLEM PROBLEMS There is a frequently mentioned vocabulary associated with auditory arts in the artistic creation and theoretical interpretation of sculpture and painting - musicality. Looking around the theory and research on painting and sculpture, there are few exceptions to the considerations and inferences about the methods of creation and expression. Sculpture and painting are sister art, ”musicality “ is the common topic of both. To put it in context, the first time in history broke through the barriers of classical rules, pushing the sculpture’s ”musicality“ to an unprecedented sculpture master, a 19th-century master of sculpture innovation, Rodin. At that time, some people objected to Rodin’s design of Hugo’s statue, believing it to be both literary and musical. Rodin said: ”If the sculptor