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闻捷的长篇叙事诗《复仇的火焰》是一个民族国家话语和民间民族话语的双重文本,一方面,诗人有意识地向民族国家话语靠拢,建立了政治与文学的当代典型连结方式,以“红色经典”的姿态参与新中国重建自己的思想观念和价值体系的宏大工程;另一方面,闻捷对民族民间文学资源进行了有效地改造与利用,维护政治与文学的有限平衡,在可能的限度里实现艺术的突围,呈现了被遮蔽的艺术脉搏,在一体化的文学追求中获得了别样的审美效应。
Wen Jie’s long narrative poem “The Flame of Vengeance” is a double text of a national state discourse and folk national discourse. On the one hand, the poet consciously moves closer to the national language and establishes a typical contemporary connection between politics and literature. The “Red Classic ”gesture to participate in the great project of rebuilding China’s own ideas and values in New China. On the other hand, Wen Jie has effectively reformed and utilized the national folk literature resources and maintained a limited balance between politics and literature. As far as possible, Limiting the realization of artistic breakthrough, showing the shadow of the pulse of the art, in the pursuit of integrated literature obtained a different kind of aesthetic effect.