相对于中国当代文学的历史进程,阎连科的写作可谓是一种“迟到的写作”。无论从写作内容或写作主题、题材领域,还是表现手法和艺术观念等方面,阎连科的写作很大程度上都迟到了。在这种迟到的写作心理支配下,阎连科后来者居上,出奇制胜,以“极致化”叙事方式,表现出某种迎合西方的“他者化”汉学写作心理,使其写作在一定程度上又走上了片面化和极端化。 Compared with the historical process of Chinese contemporary literature, Yan Lianke’s writing can be described as a “late writing”. Yan Lianke’s writing is largely late in terms of writing content or writing theme, subject matter field, expression technique and artistic concept. Under such a late writing psychology, Yan Lianke later succeeded in surprisingly winning and writing in the style of “ultimateization ”, showing some “Westernization” of writing psychology of Sinology To a certain extent, embarked on one-sidedness and extremeness.