香港导演张之亮曾经参与了那个激情盎然的“香港电影新浪潮”时代——从《笼民》的悲天悯人到《墨攻》的朴素写实,从《飞越黄昏》的温情细腻到《车票》的低调感性,张之亮为了在内地市场找准自己的位置,一直未曾停止探索的脚步。这一次,他仍旧坚持用一个平淡而不讨好的故事与几段干净却不合时宜的感情,尝试以商业片中罕见的手法打造他本人的纯爱乌托邦。 Hong Kong director Zhang Zhiliang has been involved in the passionate “New Wave of Hong Kong Film” era - from the compassionate “cage people” to the simple truth of “ink attack”, from the tender warmth of “flying over dusk” to the “ticket” Low-key sensibility, Zhang Zhiliang in order to pinpoint their position in the mainland market, has never stopped exploring the pace. This time, he still insisted on using a plain and unpleasant story and several clean but outdated feelings in an attempt to create his own pure love Utopia in a rare commercial film.