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本文运用罗兰·巴特结构主义符号学的方法,从中国北方渔猎民族萨满春祭舞蹈的表层形态入手,逐层探寻深层结构,并以此为据探讨萨满舞蹈在北方渔猎民族的社会发展过程中所发挥的功能和作用。在此基础上提出:萨满春祭舞蹈的形态是渔猎民族在自身生存方式修辞化表达的过程中建构起来的,是渔猎民族在适应环境、改造环境过程中形成的生存方式的显现。萨满春祭舞蹈在萨满教仪式中发挥着对生存方式叙事和表达的功能;并且通过与整个萨满教仪式其他要素结合形成的整体对人们生存观念产生影响,间接起到推动社会发展和进步的作用。
This paper starts with Rolex Barthes structuralist semiotics and starts with the topography of the Shaman Spring Festival sacrificial dance in northern China, and explores the deep structure layer by layer. Based on this, it explores the social development process of the shamanic dance in the northern fishing and hunting nation In the role and function. On this basis, it is put forward that the Shaman Dance Festival is constructed in the process of rhetorical expression of its own way of life. It is the manifestation of the survival mode formed by the fishing and hunting peoples in adapting to the environment and transforming the environment. Shaman’s Spring Festival Dance plays a narrative and expression function in the Shamanistic ritual. It also plays an indirect role in promoting social development and progress by influencing people’s living concept through integration with other elements of the entire Shamanistic ritual.