戏剧无处不在。它发生于人类儿时的游戏活动。游戏中就已经包含角色分配、剧情设计等戏剧要素。当它成为一种职业选择时,便成为既折磨人又成就人的事业。如果能够真正贴近它,它便是最大程度解放演员天性、释放演员潜能的凭借。但是,戏剧并非演员的专利,它属于我们每个人。它等同于我们的精神信仰、相当于治病的良医、精神的导师、自我发现的镜子。它就是人生。 Drama is everywhere. It happens in childhood as a game activity. The game already contains the role of distribution, plot design and other drama elements. When it becomes a career choice, it becomes a cause of both torture and accomplishment. If you can really close to it, it is to maximize the liberation of actors nature, with the potential to release actors. However, drama is not an actor’s patent, it belongs to each of us. It is equivalent to our spiritual beliefs, which are equivalent to medical treatment, spiritual mentors, self-discovered mirrors. It is life.