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乔治·利盖蒂(Gy?rgy Ligeti.1923—2006)为无打击乐大型管弦乐队而作的《气氛》,创作于1961年。在作品中,作曲家不再以音高、时值、力度与音色作为一种序列形态的单位来写作,而更偏爱于不同音量、浓度与音色的半音音响组合,以此建立一种新的音乐织体概念(即密集音块)而形成新的乐队音响。然而,在这新的乐队音响背后,却包含作曲家对音色—织体结构的精心设计与布局,使整部作品的艺术形式高度完美,而音色—织体作为主要结构力,对作品整体结构的构建起到了至关重要的作用。
Created in 1961 by György Ligeti (1923-2006) as the “Atmosphere” for a large non-percussion orchestra. In the works, the composer no longer writes with pitch, time value, intensity and tone as a unit of sequence form, but prefers the combination of semitones with different volume, concentration and timbre to create a new Music concept of the fabric (ie, intensive block) and the formation of a new band sound. However, behind this new band sound, it includes the elaborate design and layout of the timbre-weave structure of the composer, which makes the art form of the whole work highly perfect. The timbre, the texture of the fabric, Construction has played a crucial role.