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本研究以松尾芭蕉俳句中的白色表现为视点,从内心情感和审美等角度赏析其俳句中的一些代表性作品,梳理诗人的情感与文艺特征的关系,探析白色表现的影响要素。研究表明,芭蕉通过“白色表现”以喻托手法描绘了真挚和高洁的人性美,又同时以素描手法勾勒出了寂静、旷远、空明的自然美。“白色”是诗人的精神底色,是其禅思禅悟过程中持有的心象之色,是其超凡脱俗精神的外在流露。“白色表现”是芭蕉心性在其艺术作品中的投影,“白色表现”体现了芭蕉俳谐的内在特质和精神。
In this paper, we take the white expression in Banten Haiku in Matsuo as the point of view, and analyze some representative works in his haiku from the perspective of inner emotion and aesthetic judgment, combing the relationship between poet’s emotion and literary features, and analyzing the influential elements of white performance. The research shows that Basho depicts the sincere and noble human nature through the metaphor of “white expression”, at the same time sketches out the natural beauty of silence, grandness and emptyness in a sketchy way. “White ” is the poet ’s spiritual background, which is the color of the heart image held by Zen during his Zen meditation. It is the external exposition of his extraordinary spirit. “White Performance ” is the projection of banana mind in his works of art. “White Performance ” reflects the inherent characteristics and spirit of banana harmony.