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在眼花缭乱、万花筒般变化着的中国现当代艺术视野中,唯“当代水墨”最有希望,也最有潜力和前途,并正在日渐成为中国现当代艺术的主流(或日主力军)。“水墨为上”——自隋唐以来,水墨画就逐渐成为了中国传统绘画的主流样式。1000多年以来,可谓大家辈出,硕果累累,并积淀成为异常丰厚的水墨文化。传统的水墨文化既为“当代水墨”提供了一条异常清晰的上下文背景,同时也为它提供了取之不尽、用之不竭的物质(材料、工具)、
In the dazzling and kaleidoscopic Chinese visual field of contemporary and contemporary art, “Contemporary Ink and Wash” is the most promising, promising and promising one, and is gradually becoming the mainstream (or the main Japanese force) in contemporary and contemporary Chinese art. “Ink on the ” - Since the Sui and Tang dynasties, ink painting has gradually become the mainstream of traditional Chinese painting style. For more than 1,000 years, it has been said that everyone is coming out with great achievements and has become an unusually lucrative ink culture. The traditional ink and wash culture not only provided an extremely clear context for “Contemporary Ink ”, but also provided it with an inexhaustible supply of materials (materials and tools)