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布迪厄认为,文学场从性质上来看,是一个围绕着文学的幻象组织起来的、与日常的经济逻辑相反的信念的生产场。从文学场的内部空间结构上来看,根据文化资本的构成和数量,存在着动态的具有等差的位置空间,具有较多文化资本的文学行动者占有统治位置,反之亦然。文学行动者由于其拥有资本会与社会轨迹产生相应的习性,这种习性又引导着他试图在文学场中占据与自己相适应的位置。文学行动者总是不安于自己所处的位置,总是倾向于获得更多的文化资本,并获得垄断文学合法定义的权力,这就引起了正统与异端之间的连续不断的符号斗争。
Bourdieu argues that the literary field, by its very nature, is a production field of beliefs organized around the illusion of literature, contrary to everyday economic logic. From the perspective of the internal spatial structure of the literary field, there are dynamic positional spaces with equal differences according to the composition and number of cultural capital. Literary actors with more cultural capital occupy the dominant position and vice versa. Literary actors because of their own capital and social trajectory will have a corresponding habit, which in turn led him to try to occupy the field of literature to adapt to their own position. Literary actors are always uncomfortable with their own position, always preferring more cultural capital and gaining the power to monopolize the legal definition of literature, which leads to a continuous symbolic struggle between orthodoxy and heresy.