对比《红楼梦》和《简·爱》 ,可以看出它们非纯女性主义文本的实质 :前者是体现了男性话语的优势 ,是对男性话语的再现 ;后者虽为女性文本 ,但最终女性意识从自觉走向屈服 ,实现对男性话语的回归。真正的女性主义文本应以女性真实的体验为前提 ,避免对男性话语的模仿和回归。 Compared with “Dream of Red Mansions” and “Jane Eyre”, we can see the essence of their non-pure feminist texts: the former embodies the superiority of male discourse and the reproduction of male discourse; the latter is female, but the final female consciousness From consciously to yield, to achieve the return of male discourse. The real feminist text should be premised on the true experience of women and avoid the imitation and return of male discourse.