“观众就是上帝”这句话,听起来倒还顺耳,不过从时代背景去深究其意,则颇有脱离实际之嫌。旧中国的艺人,不仅被称为“戏子”,而且受到某些观众歧视,被认为是低人一等的下九流之辈。昔日老爷、太太们把娱乐场所(剧场戏院)作为消闲取乐的去处,那些“上等人”并无欣赏艺术的水平,只有亵玩艺人(尤其女艺人)的惯技。艺人们为了糊口,只得投其所好,取悦观众,留心观众眉眼和慰藉观众,从而把观众当作“上帝”。然而,在中国共产党的领导下,不但艺人们从“下九流”的窘境中解放出来,而且戏剧也成了团 “Audience is God,” this sentence sounds too much, but from the background to go deep into its meaning, it is quite out of touch with reality. Old Chinese artists, not only called “actors”, but also discriminated against by certain audiences, are considered to be inferior inferiority groups. Former gentlemen and wives used entertainment venues (theater and cinema) as places for leisure and entertainment. Those who were “superior” did not appreciate the art, only the masters of sex artists (especially female artists). In order to make ends meet, artists have to give their best, to please the audience, pay attention to facial features and comfort the audience, so as to view the audience as “God.” However, under the leadership of the Communist Party of China, not only are the artists freed from the dilemma of the “inferior city”, but also the theater has become a group