设色,能补笔墨之不足,达笔墨之用意,显笔墨之妙处。一般认为,南齐谢赫提出的“随类赋彩”是施色的原则。要深刻地认识中国画的色彩理论,不可把“类”简单地认为是物象固有色,它实乃指物之品性,故画家应著色于意,随心赋彩,才能觉悟地创作,而不被色彩表象所迷惑。 Tinting, can make up for the lack of ink, brush up the meaning of ink, showing the beauty of ink. Generally believed that the Nancy Sheikh proposed “class color ” is the principle of color. We should profoundly understand the color theory of Chinese painting. We should not simply think of “class” as the intrinsic color of the image, but actually refer to the character of the object. Therefore, the painter should be colored and intended to be consciously conscious, and should not be consciously created. Be obsessed with color appearances.