根据张爱玲小说《金锁记》、《怨女》改编的京剧《金锁记》即将公演。笔者有缘先行拜读剧本以及剧场设计文案。从小说《金锁记》中的曹七巧、《怨女》中的柴银娣再到京剧中的曹七巧,固然三者各有独立自足的形象及生命意涵,然而由小说、剧本彼此“文本互涉”的关系观之,三者皆以怀具多重幽恨的“怨女”形象为核心,由张爱玲的创作(《金锁记》中、英文版)、改写(《怨女》英、中文版),直至王安祈教 According to Zhang Ailing’s novel “Golden Lock”, “Grievance Girl” adapted Beijing Opera “Golden Lock” is about to be performed. I first read the script and theater design copywriting. From the novel “Golden Lock” Cao Qiao, “complain” in the Chai Yin Di opera to Cao Qiao, although the three have their own self-contained image and meaning of life, but the novel, the script each other “text inter-related” , The three are based on the image of “grievance woman” with multiple grudges and hateful gestures, written by Eileen Chang (“Golden Lock” in Chinese and English versions) and rewritten (“Grievant Woman” in English and Chinese) Until Wang Anjiao