传拓是我国一种传统的技艺,在中国有几千年历史,甚至早于四大发明之一的印刷术,它是将单页纸片覆盖在碑刻、青铜器、甲骨、摩崖等文物上,通过墨拓的方法,将文物的文字与图画原貌地拓印在纸上,最终成为国家文物研究的珍贵藏品。至唐朝发展至今,传拓通过不断发展、创新,将传拓技术与艺术完美统一,真正将这一艺术上升到了美学的高度。本文通过对连云港孔望山浅浮雕拓片的研究,来深入地分析摩崖石刻造像的传拓技巧与保护方法,作为一位传拓的延续者,将在传统的技术方法上进行不断学习与技艺创新。 Chuan Tuo is a traditional art in our country. It has thousands of years of history in China and even precedes the printing of one of the four major inventions. It covers single leaflets on cultural relics such as inscriptions, bronzes, bones and cliffs, By means of ink extension, the texts and drawings of the cultural relics were originally printed on paper and eventually became a precious collection of national cultural relics. To the development of the Tang Dynasty so far, Chuan Tuo through continuous development and innovation, the extension of technology and art perfect unity, truly this art rose to aesthetics. Based on the research of the bastion relief of Kongwang Mountain in Lianyungang, this paper deeply analyzes the propagation techniques and protection methods of the stone carving statues, and as a follower of the extension, will continue to learn and innovate on the traditional techniques and methods.