论文部分内容阅读
以知识性为主要特征的科教片,由于知识本身的逻辑推理、因果关系以及结构的条理性,使得全片很难用纪实的手法表达它的内容。久而久之,纪实叙事的风格似乎远离了科教片,成为纪录片所专有。习惯成自然,影视圈内又形成一种看法,一见到全片以纪实风格表现,就觉得不合于科教片假定性的叙事规范,容易概念性地认为有纪录片之嫌。其实影视艺术发展至今,已经很难界定哪种表现方法是某一片种所特有,应该说,它们在相互的流动中,共同求得影视艺术的进步。这方面电视比起电影更为开拓,
Due to the logical reasoning and causation of knowledge itself and its structure, science-based films with knowledge-based characteristics make it difficult for the whole film to express its contents in a documentary manner. As time passes, the style of documentary narration seems to be far from science and education films, becoming the only documentary. Habitually into a natural, film and television circles formed another kind of view, one see the whole film to documentary style performance, that does not fit the presumption of science and education film narrative norms, easily conceptualized as a documentary. In fact, the development of video art so far has been difficult to define what kind of performance is a particular kind of species, it should be said that they are in the flow of each other to jointly seek the progress of film and television arts. Television in this area is more open than the movie,