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T.W.阿多诺是20世纪社会学音乐美学非常重要的代表人物,他的《新音乐的哲学》由于晦涩难懂,成书后一直缺少系统的梳理和研究。阿多诺在《勋伯格与进步》中将无调性音乐作为一种风格来考察,而催生无调性音乐的外因与内因则成为了解读《新音乐的哲学》的两条完整线索。对催生无调性音乐的内因的研究,是由一个核心概念“素材”来统摄的,“素材”的历史性与社会性使得无调性成为20世纪的时代真相所选择的结果,这个选择反映在新音乐的创作上所表现出来的是与传统间的极大区别与变化,而这些变化最终孕育出了新音乐独树一帜的音乐特征——孤独。
T.W. Adorno is a very important representative of sociology music aesthetics in the 20th century. Because of his obscure philosophy, his “philosophy of new music” has been lack of systematization and research since its publication. Adorno, in Schoenberg and Progress, examines atonalist music as a style, and the external and internal causes of non-tonality music become two complete clues to interpreting the philosophy of new music. The study of the internal causes of athetonic music is based on a core concept “material ”. The historicity and sociality of “material ” make the non-tonal character the result of the choice of the truth of the twentieth century . This choice reflects that the creation of new music shows great differences and changes with tradition, and these changes finally gave birth to the unique music feature of new music - loneliness.