20世纪初期“乡土文学”兴起后,悲剧成为此类小说的重要主题。悲剧引起怜悯,但怜悯只是悲剧情感的低级状态。与弱者的消极容忍相比,强蛮人物如土匪、硬汉形象的出现为新时期农村小说增添了新亮点。文章将这些形象设置于与灾难、血腥、暴力、死亡的对抗,展示他们的勇气、胆魄和人格,进而带给人们恐惧和惊愕之美感。事实上,人就是靠了这些精神与力量得以延续和发展。这是文学艺术所需要的,也是人们所欣赏的。 After the rise of “native literature” in the early 20th century, tragedy became an important theme of such novels. The tragedy caused mercy, but compassion was only a low state of tragedy. Compared with the passive tolerance of the weak, the presence of barbarians such as bandits and tough guys added new bright spots to rural novels in the new period. The article sets these images in confrontation with disaster, bloody, violent and death, displaying their courage, courage and personality, which in turn brings people the feeling of fear and consternation. In fact, people rely on these spirits and forces to continue and develop. This is what literature and art needs, but also people appreciate.