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济慈对美之理念的追求,深深影响着闻一多。他追求诗之美的灵魂,亦追求诗之美的形体。而对诗之三美理论的提出,表明其对美的追求达到极端,这是对济慈诗学理论的超越。受济慈诗之优美音调,瑰丽色彩的艺术纯美影响,闻一多的诗作也体现济慈美真合一的艺术思想。但他的诗受影响于济慈,同时也超越济慈,这主要表现为诗的三美格律运用。无论济慈还是闻一多,他们都曾把诗当作自己的终生追求。虽然济慈在英国浪漫诗史上是承先启后的关键人物,而闻一多在诗论诗作里,古今中外的特色都熔铸其中。若从融汇古今中外这个角度看,闻一多显然更超越济慈。
Keats’s pursuit of the concept of beauty deeply affects Wen Yiduo. His pursuit of the soul of poetry, but also the pursuit of the beauty of poetry. However, putting forward the theory of the third beauty of poetry shows that the pursuit of beauty reaches the extreme. This is the transcendence of Keats’ poetic theory. Thanks to the beautiful tone of Keats poetry and the artistic pureness of magnificent colors, Wen Yiduo’s poems also reflect the beauty of Keats’s art. However, his poem influenced Keats and also surpassed Keats, which is mainly manifested in the application of Sammi’s law of poetry. Regardless of Keats or Wen Yiduo, they all regarded poetry as their lifelong pursuit. Although Keats is a key figure in the history of romantic poetry in the United Kingdom, Wen Yiduo is a poetic poetic poem. If from the integration of ancient and modern this point of view, Wen Yiduo is clearly more than Keats.