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旅游艺术,是当代少数民族村寨旅游开发进程中的重要内容,因为旅游艺术往往是最能表现一个民族族性的文化形式。旅游艺术本真性的界定,不能拘泥于欧美商人、收藏家和艺术史学家以及激进地批评伪民俗现象的游客或人类学家所设立的标准。旅游艺术具有保存传统、复兴传统的作用。当然,前提是旅游艺术是在充分尊重本土文化的基础上创作的,而不是凭空捏造的。我们可以把旅游艺术的本真性界定为在尊重和深入挖掘地方传统文化基础上形成的艺术真实。旅游艺术生产的动力机制,由政府、旅游开发商、当地人、游客、学者和艺术家共同构成。保持平衡是运用旅游艺术生产的动力机制来保存本真性的核心原则。在尊重和保护传统文化与满足游客需求之间,在发挥教育和娱乐功能之间保持平衡,才能保证本真性旅游艺术的生产。
Tourism art is an important part of tourism development in contemporary ethnic minority villages because tourism art is often the most cultural form that can exhibit a nationality. The definition of authenticity of tourism art should not be limited to the standards set by tourists and anthropologists from European and American businessmen, collectors and art historians as well as the critics of pseudo-folklore. Tourism art has the function of preserving the tradition and rejuvenating the tradition. Of course, the premise is that tourism art is based on full respect for local culture, rather than imagination. We can define the authenticity of tourism art as the truth of art formed on the basis of respecting and thoroughly excavating the local traditional culture. The driving force behind the production of tourism art is made up of governments, tourism developers, locals, tourists, academics and artists. Maintaining a balance is the core principle of using the motivation mechanism of tourism art production to preserve authenticity. In the respect and protection of traditional culture and meet the needs of tourists, play in the educational and entertainment functions to maintain a balance between, in order to ensure the authentic tourism production.