画道高下,非关文字,语言乃障道之缘。万法唯心造,全凭观者心之所悟。画事亦如是。画家蒋正根《线——风景》作品产生的缘起乃是对现代都市建筑风景的感悟和发现。现代都市建筑所传递的细腻、秩序与超然的美感,开启了他对自然无我真境探索的心扉。可以说,是内在超然本心的自我发现,才有外在艺术形式的发现。只有艺术家澄然的自性与现代建筑至简的直线默然相会,才进发出明净、简约的现代艺术语言的美感。而画家对艺术与自性的追索路径,呈现给我们的只是那看似冷峻、单调的直线重复。 Drawing high, non-related language, language is the barrier of the edge. Ways to create the ideal, based on the perception of the heart of the people. Painting is also true. The origination of Jiang Zhenggen’s line-landscape painting is the comprehension and discovery of the modern urban architecture landscape. The delicate, orderly and transcendental beauty conveyed by modern urban architecture opens up his heart to explore nature without me. It can be said that the inner transcendental self-discovery, only the discovery of external art forms. Only when the artist’s self-evident nature and the modern architecture are in a straight line will they meet silently, the aesthetic feeling of a clear and simple modern language of art will come forth. However, the painter’s path of recourse to art and self-nature presents us with only seemingly solemn and monotonous straight lines.