物象作为一种自然形态,展示了宇宙间生命运动的结果,它具有严谨的规律性同时又具有偶然成因的双重性,其自身仅是客观的屈从与适应,而非灵性的选择。绘画艺术作为主体内在精神的外化形式,是理性,情感借助于物象的某一特征而得以实现,具有能动的主观意向。在形成过程中,它可以自由选择、摒弃客观物象的某种机制,使其合情达意而不仅是形具的偶然。 作为主体,由于自身的局限性和其它方面的影响——地域、文化、习尚、风情等等,使其选择具有了某种定向性,这在历史的延续中,往往形成不同规范、理念的艺术现象。 本文拟就中国写意花鸟画选择客观物象的价值取向,谈几点粗浅的看法。 As a natural form, the object image shows the result of the life movement in the universe. It has the rigorous regularity and the dual nature of contingent cause. It is only an objective choice of submission and adaptation rather than spiritual choice. As the externalized form of the inner spirit of the subject, the painting art is rational and the emotion is realized through the help of a certain feature of the object and has the active subjective intention. In the process of its formation, it is free to choose and abandon some mechanism of objective phenomena so as to make it agreeable and not merely accidental. As the subject, due to its own limitations and other influences - geographical, cultural, customs, customs and so on, so that the choice has a certain orientation, which in the continuation of history, often form different norms, concepts of art phenomenon. This article intends to talk about the value orientation of China’s freehand bird-and-flower painting choosing the objective object, and talks a few superficial opinions.