蒲松龄的《促织》善于在特殊的环境和特殊事情中,用人物的喜怒哀乐表现人物异常复杂的心理活动,并进而点出作者的创作意图。围绕促织的得而复失,失而复得,成名一家吉凶祸福也随之变异。捉不到促织,不能按期交上,成名饱受皮肉之苦,只想自尽,儿子失手闯祸,跳井自杀,成名顿时“化怒为悲”的神变剧复、表现内心的隐痛,忽听门外虫声,他又满怀希望,立刻又转悲为惊,同一时间,有怒、有悲、有惊、有喜,情态无常,这一切都由促织的得失而引起。成名的“怒”是怒其子闯下大祸,“悲”是悲其亲子因促织而丧生,但是为了促织,宁可压住失子之痛,一听到虫鸣,又“惊”又“喜”,捕得新虫甚至比儿子的复生还要来得高兴,可见促织的得失,对成名一家关系的重大。由于这种复杂的心理状态, Pu Songling’s “Weaving Promotion” is good at expressing the unusually complex psychological activities of characters in the special environment and special events with the emotions of the characters, and then points out the author’s creative intentions. In the event of recovery and regaining, the success of the fame will also mutate. We can’t catch up on weaving, we can’t make it on schedule, and we can suffer from the flesh and blood. We just want to kill ourselves, and the son misses out and commits suicide, jumps in and commits suicide, and suddenly the name becomes “sad and sad”. The insects outside the door, he was full of hope, immediately turned sad again. At the same time, there was anger, sadness, surprise, happiness, illusion, all of which were caused by the gains and losses of the weaving. The famous “angry” is the catastrophe of angering his son. “Sadness” is sad because his parents and children died because of weaving. However, in order to weave, it is better to suppress the pain of the lost child. When the worms are heard, they are “shocked.” “Happiness,” catching new insects is even better than the son’s resurrection. It can be seen that the gains and losses of weaving are significant for a famous family. Due to this complex mental state,