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工笔人物画是工笔画的一种,相较于工笔静物和一般国画人物,它更加追求灵动的装饰意味。一气呵成的韵律感,平面化的构成形式以及抽象性的人物造型,无不体现出具有中国传统韵味的装饰美。装饰性是中国画范畴内中国工笔人物画标志性的一种艺术表现形式,是具有写意意味的画种巧妙解决与现实存在之间对立关系的一种绝妙的手法。秩序化,平面化,夸张化的造型特征让装饰性绘画具有了自己独特的审美情趣,从而引导画家和受众产生别样的主观感情,装饰性在各画种当中具有重要地位。只有充分对中国人物画以及工笔人物画进行系统研究,并结合当下社会与研究环境中进行比较分析,才使得中国工笔人物画在注入了当代人自己的思想和观念的同时不失去其本身应有的特性与价值,才能真正进行创新的同时不至于南辕北辙失去根基。通过数年的中国工笔人物绘画实践本文结合具体作品,对工笔人物画装饰性特征的前世今生以及相关发展做一个简单评述。面对西方思想和画种的不断交流冲击,中国工笔人物画迎来了又一次巨大转折,外来文化的冲击实则是丰富了工笔画中的表现语言,给予了装饰性更大的表现空间。
Meticulous portrait painting is a kind of strokes, compared to the meticulous still life and the general Chinese painting characters, it is more pursuit of smart decorative means. Rhythm at one go, the formation of the form of composition and abstract character modeling, all reflect the charm of traditional Chinese decorative beauty. Decoration is an iconic form of Chinese pictorial figure painting in the category of Chinese painting. It is a wonderful way of artfully addressing the contradiction between the pictorial style and the realistic reality. Orderly, flat and exaggerated modeling features make decorative paintings have their own unique aesthetic taste, thus leading painters and audiences to have different subjective feelings, and decorativeness plays an important role in all kinds of paintings. Only a systematic study of Chinese portraits and meticulous portraits and a comparative analysis of contemporary social and research environments have made it possible for China’s meticulous portraits to inject their own ideas and concepts without losing their own The nature and value of the real innovation can not lose its roots. Through several years of practice in the Chinese character painting, combining with specific works, this article makes a brief comment on the past and present life and the related development of the decorative features of the brushwork and figure painting. Faced with the continuous exchange and impact of Western ideology and painting, the Chinese Meticulous Figure usher in another huge turning point. However, the impact of foreign cultures actually enriches the performance language in the painting and gives more decorative space for expression.