罗马,不是一天建成的,宋庄,也不是……在中国当代艺术发展的进程中,圆明园、宋庄、798,以及后来的草场地、环铁、黑桥……都是艺术家不停地艺术创作和不断的迁徒、建设、被破坏、爱恨情仇交织的伤感史。二十世纪几十年代,北京,还是一个不可以随意来去、随意停留的城市,作为首都,北京的严肃更加剧了它某种诱人的魅力。年轻的美术学院毕业生、外省来的艺术青年悄悄地停留在了城市的边缘,但是他们没有北京户口,被称为“盲流艺术家”。这样的“盲流气质”从当年 Rome, not a day built, Songzhuang, nor is it ... In the process of the development of contemporary Chinese art, Yuanmingyuan, Songzhuang, 798, and later grasslands, Central Iron Railway, Blackbridge ... ... are artists constantly art Creation and continuous migration, construction, destruction, love and hate, sadness and intertwined sad history. In the twenties of the twentieth century, Beijing, or a city that you can not freely and freely stay in, as its capital, the seriousness of Beijing has exacerbated its attractive sentiment. Young art college graduates and art youth from other provinces quietly stay on the edge of the city, but they do not have an account with Beijing. They are called “blind artist”. This “blind temperament ” from the year