想象力贫弱是赵树理的创作不能发展成一种大气磅礴的艺术形式的重要原因。但《灵泉洞》是个例外。它是想象的盛宴。受到大跃进初期的时代精神鼓舞,赵树理摆脱“铺摊琐碎”的表象思维,用浪漫的笔法,赞美了田金虎和众乡亲在灵泉洞和阎王脑“占山为王”的“共产”生活。在主流意识形态的狂热话语中成功地嫁接了一回民间社会的价值立场,使作品具有了反讽的意味,这在赵树理的创作中非常罕见。 The weakness of imagination is an important reason why Zhao Shuli’s creation can not develop into a magnificent art form. But “Lingquan hole” is an exception. It is a feast of imagination. Inspired by the spirit of the early days of the Great Leap Forward, Zhao Shuli escaped the apparent thinking of “spreading the triviality” and praised Tian Jinhu and his fellow villagers for their love of Ling Wang and “ ”Communist" life. It is very rare in the creation of Zhao Shuli that the successful grafting of the value position of civil society in the fanatical discourse of the mainstream ideology has rendered the work ironic.