中国版画在当代语境下的“边缘化”趋势已是不争的事实,这顿让人焦虑。于是,探讨版画的现状与出路,成了学界的一大课题。但坦率地说,不少观点没能切中要害。笔者曾经在多个场合听到一些版画界以外的专家对版画的赞赏,大多是肯定了版画的艺术特色明显、语言形式独特、制作精良等优点,认为中国版画的 It is an indisputable fact that the trend of “marginalization” of Chinese print in the contemporary context is an undeniable fact. So, to explore the status quo and printmaking, has become a major topic in the academic community. But frankly, many opinions failed to get the spotlight. I have heard on a number of occasions some experts outside the print industry appreciate printmaking, mostly affirming the merits of clear artistic features, unique forms of language, and well-made prints,