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现代社会的物质偏向造成了本土文化之根的“衰萎”乃至“拔除”。身为中国第五代导演中的一员——黄建新,其知识分子视域下的“寻根之旅”必将面临诸多“不利”与困窘。因此,他那饱含知性逻辑的“城市作品”不仅表达了对社会与文化的冷峻反思,更成为世俗中国在现代化演进中的“民族寓言式”书写。
The material bias of modern society has caused the “decline” and even the “removal” of the root of local culture. As a member of the fifth generation of directors in China - Huang Jianxin, his “journey of seeking roots” in the field of intellectuals is bound to face many “disadvantages” and embarrassment. Therefore, his “urban works” full of intellectual logic not only reflect the cold reflection on society and culture, but also become the “national allegory” writing of secular China in the evolution of modernization.