尼采在《悲剧的诞生》中曾响亮地主张:“艺术不只是对自然现实的模仿,而且是对自然现实的一种形而上补充,它崛起于自然之侧,为的是超越它。”想来,《金婚》就具备这样的一种文本气质。它唠嗑似地讲述了一个娶妻生子、柴米油盐的邻家故事,甚至在光效修辞、在场景音乐设计上显得不修边幅——除片头片尾动用了比较张扬的渲染技法,50集 Nietzsche has loudly advocated in the “birth of the tragedy”: “Art is not merely an imitation of the natural reality, but also a metaphysical supplement to the natural reality, which rises on the natural side in order to transcend it.” Want to come, “Golden Wedding” to have such a textual temperament. It lasciviously tells the story of a neighbor who is married to a son and his daughter, even in the light-effect rhetoric, in the scene music design is not trivial - in addition to avant-garde use of more publicity rendering techniques, 50 sets