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走进21世纪,美国的丹.布朗一下子成了世界文坛的神话。他的小说《达·芬奇密码》自2003年出版以来,已然成为当今文坛乃至全球的一种文化现象。本文试从原型批评的视角重新审视《达·芬奇密码》。借助加拿大文艺理论批评家弗莱的原型批评理论,本文从原型人物、原型主题及原型结构三个方面出发,结合丹.布朗的生活背景,分析这部小说的创作背景及其中的原型。
Into the 21st century, the United States Dan Brown suddenly became the myth of the world’s literary world. Since his publication of The Da Vinci Code in 2003, his novel has become a cultural phenomenon in today’s literary world and even in the world. This article attempts to reexamine “Da Vinci Code” from the perspective of archetypal criticism. Based on the prototype criticism of Canadian Frye Critic Frye, this article analyzes the background and prototype of Dan Brown from the perspectives of Prototype, Prototype Theme and Prototype Structure.