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《聊斋志异》是中国文言短篇小说发展到清代产生的里程碑式作品,在中国文学史上产生了巨大的影响,引起不少作者竞相追随仿作,当时最有成就的是纪晓岚的《阅微草堂笔记》。本文通过这两部小说在叙事风格方面的比较与研究,来简单总结这两部作品在叙事风格方面的各自特点,为进一步探询两者叙事上的异同,总结这两部作品文化内涵做铺垫,力求进一步理清它们在文学史上的价值和地位。
Strange Stories from a Chinese Studio is a milestone work produced by the development of Chinese short stories to the Qing Dynasty. It has had a tremendous impact on the history of Chinese literature and has caused many authors to follow the example of imitation. The most accomplished achievement at that time was Ji Xiaolan’s “ Cottage Notes. ” Through the comparison and research on the narrative styles of these two novels, this article briefly summarizes the respective characteristics of the two works in the narrative style. In order to further explore the similarities and differences between the two narratives and summarize the cultural connotations of the two works, And strive to further clarify their values and status in the history of literature.