纵观80年代到90年代女性文学,有一个明显的发展轨迹,即是从女性文学的崛起到女性主义文学的兴起——这样一个现代衍进历程,从某种意义上说,这是新时期女性文学最具特色的现代衍进轨迹之一。具体说,即是从女性文学追寻女性“自我”价值,转向女性主义文学置疑被男性中心文化异化了的“女性主体”;由女性文学中觉醒的知识女性形象对不平等境遇的困惑与抗争,转向女性主义文学通过其女性人物,对男性中心文化予以游戏与解构。前者典型的是以张洁的《方舟》、张辛欣《在同一地平线上》为代表的女性文学发展阶段;后者典型的是以王安忆的 Looking at the female literature in the 1980s and 1990s, there is an obvious track of development, from the rise of feminine literature to the rise of feminist literature - a process of modern progress that, in a sense, is a new era One of the most distinctive tracks of modern women’s literature. Specifically, it is the “female subject” that pursues the female “self” value from the female literature and turns to the question that the feminist literature has been alienated by the male center culture; the perplexity and resistance to the unequal situation caused by the female image awakening, Turn to feminist literature through its female characters, to the male center of culture to be the game and deconstruction. The former is typically based on Zhang Jie’s “Ark”, Zhang Xinxin “on the same horizon” as the representative of the development stage of female literature; the latter is typically Wang Anyi’s