许多人对中国诗歌和诗人的记忆还停留在20世纪七八十年代,似乎到北岛、顾城、舒婷、海子那里就结束了。从80年代末到90年代,在普通大众的心目中,中国诗坛复归沉寂,诗人和诗歌好像从视野中消失了,失忆一般,成了一片空白。随之而来的碎片化、商品化和多元文化的气息,在影响人们生活和认识世界方式的同时,也导致了诗歌主流形态的松弛与崩塌。正是在那个诗歌秩序遭受冲击、毁坏与重建的时代,李尚朝开始了他的诗歌创作,并先 Many people’s memories of Chinese poetry and poets still remain in the seventies and eighties of the 20th century. It seems that they have ended up in the North Island, Gu Cheng, Shu Ting and Haizi. From the late 1980s to the 1990s, in the minds of the general public, the Chinese poetry circles returned to silence. The poets and poems seemed to disappear from their perspectives. Amnesia became a blank. The fragmentation, commercialization and multiculturalism that followed brought about the relaxation and collapse of the dominant forms of poetry while affecting people’s lives and understanding the ways of the world. It was in the era when the order of poetry was shocked, destroyed and rebuilt that Li Shangchao began his poetry creation,