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马卡宁的《审讯桌》是一部具有反乌托邦特征的小说,作家通过对“桌子”这一审讯道具的各种象征性拓展,通过对历史、现实与幻想相互叠加的反乌托邦立体艺术世界的构建,为我们揭示了个体始终置身于无所不在的集体“审讯”之中的悲剧性处境。
Macanine’s “trial table” is a novel featuring dystopianism. Through various symbolic developments of the trial proposition of “table”, the author tries to draw a conclusion through the dystopian three-dimensional superimposition of history, reality and illusion The construction of the art world reveals to us the tragic situation in which an individual has always been in the omnipresent “interrogation”.