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抗战爆发后,许多爱国美术青年怀着投身祖国民族解放事业之心,从全国各地来到延安。在艰苦的战争岁月里,他们积极投身于革命美术的实践活动,创作出了一大批优秀的美术作品。抗日战争时期的延安木刻版画,就是在这样特殊的历史和政治环境下成长起来的。许广平同志在《鲁迅回忆录》中写道"鲁迅还作了预言,木刻将来有两个发展的前途:采用外国的良规,加以发挥,使我们的作品更加丰满是一条路;择取中国的遗产,融合
After the outbreak of the war of resistance against Japan, many patriotic fine arts youths came to Yan’an from all over the country with the intention of joining the cause of national liberation of the motherland. During the arduous years of war, they actively engaged in the practice of revolutionary art and created a large number of excellent works of art. Yan’an woodcut prints during the War of Resistance Against Japan were grown up in such a special historical and political environment. Comrade Xu Guangping wrote in Lu Xun’s Memoirs that Lu Xun also made a prediction that there are two future prospects for woodcut development: using foreign good rules and giving play to making our work more plump is one way; choosing China Heritage, integration