读欧·亨利的短篇小说,每每产生一种新奇感。欧·亨利式的新奇,不是惊险小说廉价的情节的怪诞离奇,而是建立在生活的客观逻辑之上,蕴含着高度的艺术真实性的奇巧构思。他的小说决不落入俗套,总是变换新鲜手法,使每个细节安排得恰到好处,让读者初看觉得出乎意外,而细细推敲,又异常合情合理。这种“奇”,是寓于平凡的奇。正因为能够于平凡中见新奇,才形成欧·亨利独特鲜明的艺术风格。《一份市政报告》就是颇有代表性的一篇。小说的形式就别致新颖。作者在这篇作品里将抽象的“市政报告”和形象的生动描绘交织起来,特意在情节进行过程中穿插六小段纳什维尔的“市政报告”的抽象文字。这枯燥无味的片断“报告”仿佛游离于小说的情节之外,但实际上构成小说的重要组成部分。欧·亨利这样布局是有深意 Reading the short stories of Henry, often have a sense of novelty. The novelty of the European-Henry style is not based on the weird bizarre of the cheap plot of a thriller but is based on the objective logic of life and contains a surprisingly high degree of artistic conception of artistry. His novels never fall into stereotypes, always changing the fresh approach, so that every detail is arranged just right, so that the reader at first glance surprised, and careful scrutiny, and abnormally reasonable. This “odd” is an ordinary odd. It is precisely because of ordinary novelty, to form the unique distinctive European and European art style. A “municipal report” is a very representative one. The novel’s form is chic and novel. In this work, the author intertwines an abstract “municipal report” with a vivid description of the image, deliberately interspersed with six abstracts of Nashville’s “municipal report.” This boring piece of “report” seems to be detached from the novel’s plot, but in fact constitutes an important part of the novel. Europe · Henry such a layout is deep meaning