论文部分内容阅读
神仙形象源自于早期神话和信仰中的“神”的形象。因此,早期的道教神仙被描绘为生活在远方异域,与凡人完全不同的特殊群体。随着道教神仙观念的发展,道教的神仙形象也在逐渐“人性化”神仙逐渐摆脱了过去的神秘色彩和“非人”特征,较多地吸收了“人”的形象特征。宋元以后,这一趋势变得更为显著。神仙形象中“神”的特征进一步减弱,而“人”的因素、特别是普通人的特征日益明显。我们通过对不同时期中国古代小说中神仙形象的比较,可以清晰地发现这一变化。在这篇论文中,我们也试图探讨道教的世俗化趋势对神仙形象的影响以及不同的神仙观念在中国古代小说的神仙形象中留下的痕迹。
The image of the gods comes from the image of “God” in early myths and beliefs. As a result, the early Taoist deities were portrayed as special groups living in distant exoticities and totally different from mortals. With the development of the Taoist immortality, the immortal image of Taoism is gradually “humanized” and the gods gradually get rid of the mysterious color and “inhuman” features of the past and absorb the image features of “people” more. After the Song and Yuan Dynasties, this trend has become more pronounced. The characteristics of the “god” in the image of the god are further weakened, while the factors of the “person”, especially the features of ordinary people, are becoming increasingly apparent. We can clearly find this change by comparing the images of gods in ancient Chinese novels of different periods. In this paper, we also try to explore the influence of the secularization of Taoism on the image of gods and the traces left by different gods in the goddess of ancient Chinese novels.