《解救吾先生》改编自2004年吴若甫绑架案,导演丁晟采用纪实性的手法将这一案件呈现在大银幕上。《解救吾先生》从一开始就具备一种真实的力量,但是其并没有沉溺于对现实的单纯模仿,而是通过纪实性的手持摄影、交叉剪辑完成对事件的重新讲述;通过平实、琐碎的语言对白和立体、生动的人物塑造完成对人性的真实抒写;以各种细节的提示把电影嫁接进入我们的生活,模糊了影视与现实之间的界线。影院的观众就好像在看一个 “Save my husband” adapted from the kidnapping case of Wu Ruofu in 2004, the director Ding Sheng using a documentary approach to the case on the big screen. “Rescue my husband” has a true power from the very beginning, but it does not indulge in pure imitation of reality. Instead, it rewrites events through documentary hand-held photography and cross-cutting clips. Through the plain and trivial Language dialogue and three-dimensional, vivid characters to complete the true description of human nature; with all kinds of details prompted the film grafted into our lives, blurred the boundaries between film and reality. The theater audience is like watching one